12 Days of Girly Juice 2021: 6 Journal Entries

Content note: There’s some depressing stuff in here about climate change, fascism, etc.

 

February 7th

A Spiritual Practice for Quarantine

wake up, take your meds
stretch & pee & check your phone
stretch & sigh, ignore your phone
brew some coffee, clear some cobwebs
set some goals & test your brain
watch the news, turn off the news
feel grateful you’re not on the news

don some ruby lipstick no one will see
take butt selfies in bed
suck cock every lazy morning
scribble notes to future selves
let haters tire themselves out
slither into slim-cut sweatpants
comb your hair for no one
read a book for pleasure
drink a boozy revelation
squint your eyes until you see
a pale unfocused vision
of the You you want to be

 

April 19th

Life all feels so absurd when you’re living through a global pandemic and a fresh wave of fascism and the end of the world due to climate change. I really don’t know how we are supposed to deal with it. There’s not even a frame of reference, a touchpoint in human history we can point to and learn from where we idiot’ed ourselves out of being able to even inhabit this planet anymore. It’s all new and a lot of it is bad.

I think one of the only things you can do to cope with all this is to do what the existentialists did and accept the liberating but terrifying meaninglessness of it all. I can’t affect humanity’s problems on a scale that would be effective, so I may as well feel pleasure and create joy where possible. I don’t mean it’s okay to be selfishly hedonistic all the time. I mean that we’d go nuts if we never allowed ourselves to be selfishly hedonistic. We’d be squandering the best parts of the very world and civilization our anxieties are trying to save.

 

May 29th

Lately I keep looking at real estate listings of 2- and 3-bedroom houses and condos in Toronto and New York and dreaming of what it would be like to furnish and decorate my own office in my own home. There would be lots of framed photos and art. An altar featuring citrine, blue topaz, and perfumed incense. Big white bookshelves displaying books, old journals, striking sex toys, and a rainbow of vintage typewriters. A smallish piano and my ukuleles and guitar. A luxuriant daybed for lounging and naps. A big plush armchair for reading in. Stacks of empty notebooks waiting to be filled with thoughts and ideas. Organized drawers containing my entire sex toy collection. A sex toy charging station à la Piph. Sophisticated coasters for having drinks at my desk. An array of fine pens and pencils. Tons of natural light, plus several lamps for atmosphere. Ahh, bliss.

 

June 9th

I bought a secondhand digital piano yesterday. Been wanting to get back into songwriting. It has been about 3 years since I’ve written a song. It’s just so weird because in high school I wrote multiple songs per month. It no longer feels like a skill I can access. I try playing and singing improvisationally but everything sounds terrible and doesn’t flow out of me the way it used to.

I think if I asked younger-me for advice on this, she would advise me to spend more time just idly messing around on my instrument(s); inspiration can’t show up if you’re not there to greet it. But I can’t shake the feeling that I was connected to some divine source of musical ingenuity and I no longer have a stable connection to wherever that came from.

I guess part of the reason for this is that my life now is fairly settled and content – I am married to the love of my life and our relationship is stable and healthy, so the main sources of interpersonal angst and sadness I used to pull songwriting inspiration from are just absent. I guess this means I have to carve out new ways of being a songwriter, ways that don’t rely on romantic drama. Writing from fictional characters’ perspectives is often helpful for this, I’ve found.

 

July 7th

Things to remember when I hate myself and feel like a failure:

  1. I will have had 2 books published by the time I turn 30.
  2. I am happily married to the love of my life, who is perfect for me on every dimension I can imagine.
  3. I live comfortably on the money I make as a self-employed person/freelancer in the sex media field. Dreamy.
  4. My work means a lot to people and they tell me so nearly every day.
  5. I am working through my traumas and flaws with a therapist, and I’m making good progress.
  6. I have a cozy home that I love and have put a lot of effort into making it feel as comfortable as possible.
  7. I achieve an amazing amount every single week for someone living with an invisible disability/chronic illness.
  8. I have made a lot of art that I think is good, and I will make a lot more.
  9. There is always more to learn, to see, to experience.
  10. Every single thing in life could change in an instant so the only thing to do is appreciate it when you have it.

 

July 26th

I’m emotional tonight, for a couple reasons. Firstly, today 11 copies of my first book showed up in the mail, and I got to hold it, and read it, and sniff it, and take selfies with it… I am truly so fucking proud of myself, and the pride feels unusually tangible to me today. It’s a really good book and I think people are going to like it.

The second emotional thing that happened is I went for drinks with T___, who I met several years ago because they were friends with L___ when I was dating him – and they told me that basically they never really liked him that much. They felt he was “a sad man who sucked” and didn’t treat his partners very well. (Uh, can confirm.)

My mind is honestly kinda blown. All this time I had believed what L___ said, which was that the two of them were very good friends, maybe even best friends – and I had felt that L___ must have some essential goodness or coolness because T___ thought he was cool, but in reality all this time they’ve seen him the same way I saw him on my most self-righteous and self-possessed days: as a sad, selfish, confused and confusing dude who wasn’t a very good boyfriend at all.

He was a person who frequently represented himself as perpetually right and good, as if his way of doing relationships was the best way or the only good way, and as if I was in the wrong for ever taking issue with anything he did. He was an extraordinarily bad boyfriend to me but framed himself as a generous and tolerant caretaker and protector.

Our relationship was this fraught mirage, always seeming like it had the potential to be so good and healthy and satisfying but never actually allowing that reality to materialize. He paid lip service daily to the kind of boyfriend he wanted to be, and wasn’t. He was a complete and total fuckboy, who would’ve been appalled to hear himself referred to as such. The only reason I stayed with him after he seriously hurt my feelings was that I believed deeply that he was desirable and special and “a catch” and that I was incredibly lucky to be with someone like him. That’s all it was. I mean, yeah, NRE makes idiots of us all, but I really think most of my poor decision-making in that relationship was directly related to me 1) assuming his inherent worth because he was a man who expressed an interest in me, and 2) thinking so poorly of myself that I couldn’t see how valuable and desirable I myself was. I didn’t know I deserved better, or that I was allowed to expect better, but I did and I was.

Interview: Singer/Songwriter Missy Bauman on Girlhood, Motherhood, & Being Brave

My brother Max, a musician and songwriter, doesn’t often tell me I “have to” check out a particular artist, album, or song. But when he does, he means it.

A few years back, he met a girl named Missy Bauman through mutual friends who were attending music school with her. “You have to come see this girl play,” he told me. And because Max so rarely makes these assertions, I took this one seriously.

I went and saw Missy perform, with her then-collaborator, Rebekah Hawker. I think it was sometime during their song “Supernova” that I really fell in love. Tender and thoughtful lyrics, gorgeously simple melodies, and a girlish solemnity that felt familiar to my far-too-full heart… I immediately wanted to devour Missy’s whole oeuvre.

She has a stunning new EP out, Girlhood, and I sat down with her to chat about the inspirations behind the songs. Here’s our conversation…

Kate Sloan: Heyyy beauty.
Missy Bauman: Hello hello! 🙂
KS: Sssooooo, the EP is beautiful. I love it ❤
MB: Thank you! 🙂 ❤
KS: Max told me I would like “Easier” the best and he was right, it’s soooo pretty. Your melodies are so gorg.
MB: Thanks 🙂 It’s become one of my favourites, too. I recorded it kinda last minute, we weren’t planning on recording it.
KS: So first off, I’m wondering: is this EP “about” something to you? Does it have an overarching theme or message, in your mind?
MB: For sure. Girlhood was supposed to be a full-length album, and it kept being delayed due to financial reasons. By the time I had enough money to print it (back in October), those were the 5 songs that made the cut. But the album was originally supposed to be very very nostalgic, all of the songs being dreamy and looking back with a very deep melancholy towards my late adolescence. The album had a little more cohesion and I think the themes were a little clearer – most of it about the distance between being a kid and being a “woman.”
KS: Innnteresting. I remember hearing you play “Motherhood” for the first time and going, “Wow, ‘I want you to cum in me,’ that’s quite a powerful line!” and it sounds so different in the kind of dark solemn context of that song than it would sound in a different context. Can you tell me a bit about that song and what you were thinking about when you wrote it?
MB: I wrote it before class back in my IMP [Independent Music Production @ Seneca] days. Fox had just shown me a song, “Lucky You,” and I really wanted to write about the dark side of parenthood as well. It also kind of goes hand-in-hand with a relationship I was in at the time, where I wanted so much more out of it than he did. As a kid I always thought that parenthood was a little narcissistic (the whole “he has my eyes,” etc.), but I had become so infatuated with this person that I started to understand. Maybe I didn’t literally want him to become the father of my child, but if he did, I would’ve wanted the kid to have his eyes, his hair, his everything. It was obsessive, and weird, which is why I think the line, though super vulgar and kind of shocking, fits in pretty well with the rest of my nervous ramblings and sexually charged, unrequited feelings. It’s hard catching feelings for someone who explicitly tells you it’s not going to be a holding-hands, Facebook-official thing.
KS: Yeah, I tooootally know that feeling… In the heights of certain romantic obsessions of mine, I’ve had that fantasy of “What if I accidentally got pregnant; what would he do? Would we get married? Which one of us would the kid look more like?” and it’s this dark, obsessive road. And I think, as women, we are conditioned to view that as the fulfillment of a wish we are supposed to have.
MB: Exactly…. It’s like the hyper-extreme version of writing his last name after mine.
KS: Haha yeah. And you feel kinda guilty about it but it’s so satisfying somehow.

KS: Have you written a lot of songs with sexual themes before or was this kind of a departure for you?
MB: “Motherhood” was definitely one of the first (and probably still the most explicit). I revisit sex a lot because I consider myself to be an extremely sexual person, but a lot of the time it shows up more metaphorically. The only other track that says it as bluntly as “Motherhood” is called “Imaginary Boyfriends.” [Author’s note: you can listen to “Imaginary Boyfriends” at the end of this post!]
KS: Do you get nervous performing songs with sexxxy references in them? I remember when I first wrote my song “Good Girl,” which is full of some pretty explicit kink shit, I would make up fake versions of the lyrics for when I felt uncomfortable practicing around my family, or I would kind of mumble those parts of the song… Haha!
MB: I used to freak out a LOT, especially because my dad is my #1 fan and we are both very private people. Every song I wrote before 2015 has an alternative set of lyrics in case he was in the crowd. I’m less worried about that now, partly because I feel more confident in my craft, specifically lyrics (as uncomfortable as it might be)… If I didn’t have to say it in such a straight-up way, I would be singing about something else. That’s the approach I take to it now, anyway.
KS: Haha, that’s amazing. and I’m glad you’re feeling better about it these days! I’m curious, do you have a favorite song on the Girlhood EP?
MB: I think “Her” is my favourite. It was scary to write and still scary to share, but I fell in love with it in a way I haven’t ever felt for my other songs.
KS: Why was it scary to write/share, if you don’t mind me asking? (I mean, I know the lyrics are INNNTENSE, but I would love to know what you meant by that in your own words!)
MB: [My partner] and I had just lost a baby, and I was just in this haze for weeks. It was the middle of the summer and we had an upstairs apartment with no A/C; it was just so muggy and sluggish and I felt so empty and kind of dazed. I wrote it and recorded the EP version sometime that week after we got into a fight and he left to get some air. It was hard because we definitely weren’t planning on having a baby or anything like that, but it still felt like I was very alone and kind of broken. People don’t really talk openly about miscarriages. Like… I don’t even talk about it openly. I feel like I have less of a space in a community of women who were trying to be parents and lost someone they truly loved vs. an unemployed kid who was blissfully unaware of the pregnancy at all.
KS: ❤ I’m so sorry, I didn’t know that had happened.
MB: I’m still getting used to being open about it! My friend Tyler from Said the Whale just put out his story “Miscarriage” and told me that it’s just important to get the discussion going so that women going through it don’t have to feel so broken/alone. It’s way more common than you would think.


KS: So, I know you won a grant recently. Can you tell me about the grant and what you plan to do with it?
MB: Sure! It’s through Ontario Arts Council, and it’s a creation grant for Popular Music. I wrote to them with the concept for my next album. The purpose for the creation grant is to cover your “living costs” – it’s super general and relatively easy to apply for (compared to FACTOR or other federal funding). It’s very competitive. I had an entire class in IMP dedicated to that grant. With the support from the grant, a LOT of stress was relieved from my living costs this summer (we’re going on tour, but I still have to pay OSAP, rent, and my share of water/hydro), and it will let me create my next album without the crazy financial stress I’ve become accustomed to! It could not have come at a better time.
KS: Yaaay! Congrats!
MB: Hehe thank you!! ❤ ❤ ❤
KS: One last question for ya. What music do you find sexy? Any particular songs you like to make out or do Other Activities to?
MB: Oooh, good question!! “Hunger of the Pine” by Alt J. “My Kind of Woman” by Mac DeMarco. “Once I Loved” by Astrud Gilberto. “Riot Van” by the Arctic Monkeys. “Cola” by Lana Del Rey.
KS: Thanks, girl! I’ll add those to my sex playlist right now…

Thanks so much to Missy for her vulnerable and inspirational stories and her beautiful music! You can buy/download her Girlhood EP now on her Bandcamp page. You can also “Like” her on Facebook, follow her on Twitter, and check out her website.

And, bonus: Missy is letting me premier her song “Imaginary Boyfriends” here on my blog! As per usual for her, it’s dark, smart, poignant, and pretty. Have a listen!