When I think of fetish aesthetics, I think of Bettie Page, and of the SuicideGirls. Although these two cultural phenomena hit their peaks decades apart from one another, I think it’s obvious that the SuicideGirl aesthetic was very much influenced by Bettie Page and other midcentury fetish models, and we also see these influences in aesthetics associated with pro dom(me)s and even with the later mania centering around Fifty Shades of Grey.
Sharp nails, sharp heels, sharp eyeliner wings – these are just some of the elements I associate with this type of look. One of the reasons it feels so transgressive is that women’s style is traditionally “supposed to” be subdued, soft, and conventionally feminine. When we incorporate elements that feel tougher, stronger, and scarier – think Sandy at the end of Grease – it can come across as threatening to traditional Western gender roles and even to Western conceptions of heterosexuality as a whole. For many of us, that transgression is exactly what is so appealing and sexy about this type of look.
Obviously the idea of a “sex worker aesthetic” is a problematic oversimplification, since sex workers are not a monolith by any means; even to break down the category of sex workers further and argue that, for instance, escorts in London have a particular sartorial style would be wrong, because they’re all individual human beings with individual aesthetics.
That being said, there are some stylistic elements that are often associated with sex workers in the popular imagination, whether or not these associations are accurate. Some of these come from Hollywood depictions (think Vivian’s thigh-high black leather boots in Pretty Woman) and some come from actual sex workers (such as the pops of red and pink often found in the looks of MF Akynos, founder of the Black Sex Worker Collective). Leather, leopard print, sky-high heels, and fishnets are just some of the stylistic elements commonly associated with sex workers, though of course one’s outfit selections will depend largely on geographic location, weather, the type(s) of sex work being performed, any safety concerns that may limit style choices (including the likelihood of being targeted by police), the type of clientele one is likely to have, and other such factors.
When I did online sex work of various sorts and was briefly a sugar baby, I enjoyed reflecting on the aesthetic legacies of sex workers, and incorporating elements into my look that I associated with them in order to subtly reference those who came before. Obviously these looks can be incredibly powerful and sexy, and they – like sex work itself – have a fascinating history.
Sundresses have come to be discussed as symbols of sexuality in and of themselves over the past few years; “getting railed in a sundress” has become a widespread idea and many women-attracted and/or femme-attracted people rejoice about the start of “sundress season” each year.
If kinky and sex work-influenced aesthetics are conceptually based around transgression, danger, and perversion, I think there’s a certain variety of sundress sexiness that is more about (the illusion of) innocence, inexperience, and immaturity. I don’t mean the fetishization of actual children, which is of course not okay, but rather the fetishization of a certain play-acted naïveté that is seen as feminine, youthful, and fun, but still quite adult in its manifestation.
The vibe, to my mind, is “getting fucked at a picnic,” or maybe “what if the Garden of Eden was a porn scene.” Pretty ideal aesthetic, if you ask me.
This post contains a sponsored link. As always, all writing and opinions are my own.