Mourning Twitter, a Hellsite for the Ages

I’ve been very depressed this last week, and I’d be lying if I said it had nothing to do with the imminent demise of Twitter as we knew it. There are other factors, of course, but Twitter is a big one.

It’s been hard explaining this to people whose brains aren’t as broken by Twitter as mine is. I’ve been a user of the site since 2007, when I was 15 years old. I have never been an adult in a world without Twitter, and never really considered the possibility that I would have to. So it’s disorienting, to say the least, that an inept and egomaniacal billionaire is dismantling the site I’ve long considered my digital home-away-from-home.

Don’t get me wrong: Twitter isn’t perfect and never has been. Abuse has always run rampant on it, including a lot of homophobic, biphobic, misogynist and antisemitic abuse, which has felt viscerally frightening to me as a queer Jewish woman. It’s been a hub for disinformation, doomscrolling, and unsettling DMs. It has enabled racists, excluded sex workers, and let hate speech abound unchecked. And that’s just listing a few of the things that were (and are) wrong with Twitter.

But it’s also the place where I met my spouse, and my best friend/podcast cohost, and several other good friends and past partners. It’s the place where I’ve connected with editors, clients, and sources. It’s the place where I’ve shared my silly thoughts, my hot takes, my pain, my fury, and my joy.

The linguist Gretchen McCulloch argues in her book Because Internet that sites such as Twitter are the digital equivalent of a hallway at a high school or in a college dorm; they’re a place where casual, ambient socializing happens – as opposed to socializing that you have to specifically seek out and plan – and they therefore allow you to connect with people you might never have met otherwise. This feels very true to me – where else but Twitter could I chat with Tokyo-based game designers, London escorts and Texan law professors about current events in the course of a single hour?

Twitter was also, notably, one of the more sexually permissive mainstream social media sites. True, I know many people who got shadowbanned or outright kicked off the service for posting about sex work or BDSM, but nudes and porn are specifically allowed on Twitter and that automatically made it feel like a more welcoming place for me and my sex-nerd pals than, say, Facebook or Instagram, where we still have to self-censor with bastardized “words” like “seggs” and “secks” just to keep our accounts up-and-running.

I also maintain that Twitter is one of the best dating sites for demisexuals like me, because it allows you to get to know someone through their words first and their face second (if at all). I have far more Twitter crushes than Instagram crushes (or even IRL crushes) because I crush on people’s brains first and foremost, and Twitter made it easier than any other site for me to connect with people whose brains made my own brain tingle.

I loved Twitter, despite its many shortcomings and mistakes. I won’t be jumping ship immediately, especially since self-promotion is a big part of how I stay afloat professionally/financially so I can’t afford to leave the place where my biggest platform is. But if you’d like to follow me elsewhere – which I’d really appreciate, since I love y’all – here’s where to keep up with me:

  • This blog, obviously. I’m more convinced than ever that maintaining a self-hosted personal blog is the way of the future, given how many social media websites keep betraying us.
  • I’m @girly_juice on Instagram and that’s where I’m most active aside from Twitter.
  • My newsletter, where I send out a little essay on love, sex, and other random topics every week to my premium subscribers (it’s $5/month or $50/year). If you can’t afford a premium subscription, you can still sign up as a free subscriber and you’ll get free dispatches from me a couple times a year or so.
  • On Mastodon, which some people think will be Twitter’s major replacement, I can be found at @girlyjuice@mastodon.social – go follow me!

I love you, I’m glad you’re here, and I’m trying to look forward to whatever comes next.

 

This post contains a sponsored link, ’cause a girl’s gotta eat. As ever, all writing and opinions are my own.

Great News: My Books Are Finally Available as Ebooks!!

As an e-reader devotee, I totally understood when folks started asking me about ebook availability back when each of my two books were launched. Not only can e-readers be more convenient (say, if you happen to finish the book you’re reading on a long-haul flight and want to start another one right away so you don’t die of boredom) – they can also be more accessible for people with various disabilities and conditions who struggle to read, or hold, a physical book. And I want my books to be accessible to the highest number of people possible, naturally!

In some ways I understand why my publisher, Laurence King, decided to hold off on making these tomes into ebooks initially: they are beautifully laid out, especially 101 Kinky Things Even You Can Do, which is illustrated by the wonderful Ewa Żak. And of course, you can’t spank somebody with an ebook, at least not unless you have a particularly permissive warranty on your e-reader. But I’m glad that they nonetheless eventually put out these books in electronic form, because now more people can read them. Read on for all the info!

101 Kinky Things Even You Can Do

• Available in physical form at Amazon, Bookshop, Powell’s, Indigo, and more
• Available in ebook form for Kindle and Kobo

This book is, arguably, my magnum opus. I never thought, when I began my career as a sex writer over a decade ago, that I’d write an in-depth introduction to kink and BDSM for beginners – and yet somehow I ended up doing exactly that.

This book is the intro I wish I’d had when I first started wondering, “Am I kinky?” It’s packed with practical information about safety, negotiation, and aftercare, but more compellingly, it contains write-ups on literally 101 different kinks, fetishes, and fun kink-adjacent activities. Whether you’re into kinks that are often considered more “mild,” like spanking or using nipple clamps, or kinks that fall more on the “wild” side of the spectrum, like electrostimulation and erotic hypnosis, there’s plenty in here that you’ll find useful and inspiring.

Every chapter contains a description of what the kink is, why some people find it hot, and how to do it in a way that respects the physical and emotional safety of both you and your partner(s). There are also three “Try This!” suggestions at the end of each chapter which offer concrete ways that you can incorporate that kink into your sex life tonight. Where possible, I’ve provided suggestions that will work solo, too, not just in a partnered scenario – so if you’re kinky or kink-curious and want to pick up some tips, this book is for you, regardless of whether you’re single or partnered, sexually active or not.

The book also contains definitions of many kink lexicon terms that you’ll find useful, especially as you start to build community with other kinksters locally or online. And there’s a big list of resources at the end of the book – podcasts, websites, videos, other books, etc. – if you want to learn more about particular kinks and kink-related issues.

I’m thrilled to report that Ewa’s delightful illustrations are included in the ebook, too, so you won’t be denied their beauty if you go the electronic route. Yay!

200 Words to Help You Talk About Sexuality & Gender

• Available in physical form at Amazon, Bookshop, Powell’s, Indigo, and more
• Available in ebook form for Kindle and Kobo

It was certainly daunting when Laurence King Publishing asked me to compile a book of 200 sex-and-gender-related words and their definitions, especially since those terms are ever-evolving. But after a lot of thought, finessing, and research, I put together a book I’m proud of.

From big-picture concepts like gender roles, patriarchy, and sexual attraction, to more specific and lesser-known notions like bioessentialism, gender euphoria and demisexuality, this book is packed with helpful definitions that can help you better understand not only your own sexuality and gender, but those of the people in your life.

It’s always a good thing to expand your horizons in these areas, because sexuality and gender are two aspects of identity that can shape our lives in massive ways. This book is also meant to be a catalyst for conversations, whether you buy a copy for an out-of-touch relative to ease the process of coming out to them, flip through the pages with a partner who’s unsure which labels they want to use for themselves, or gift it to a teen in your life who seems to be struggling with their identity.

 

As ever, thanks for reading – this blog, my books, or both – and I hope you enjoy! 💜

“A Song A Week” Challenge: Monthly Recap 10 of 12

Song 41/52: “Go Deeper”

Lyrics:

Breathe in some fresh air and breathe out all your cares and keep breathing
And notice the thoughts that are passing, arising, repeating
And let them all go, because deep down, you know that you’re safe
And inside your mind, you can certainly find a nice place

Let your eyes fall closed if they want to
Feel your spine – it’s strong and it’s got you
Feel your mind melting as it tries not to

Chorus:
Go deeper now
Doesn’t matter how
Just go deeper now
Let your thoughts drift away like a cloud

And if it feels good, then maybe you should let it take you
It’s easier, so just give in and let go of what ails you
Your arms getting heavy, along with your legs and your chest
And if you relax, it is simply a fact that you’ll rest

Who knows where your mind disappears to?
If you call it back, it’ll hear you
But we both know you’re really just here to…

(repeat chorus)

 

Songwriting diary:

I was deep in trance during a hypnokink scene when the idea entered my mind that I should write a song that is a hypnotic induction. It felt like such an important idea that I said it out loud to my spouse through the fuzzy fogginess of trance, so that I might remember the idea later on. And I did!

Incidentally, a few days before that, I had watched this video about a chord progression that’s apparently super popular in Japanese music but isn’t widely used in Western music (although, notably, both of Rick Astley’s best-known songs – “Together Forever” and the infamous “Never Gonna Give You Up” – use this progression, as does the Silk Sonic banger “Leave the Door Open”). I’d made a note of it incase I wanted to use it for a song at some point. I thought it made sense to use it for this hypnotic song because it’s a progression that never resolves to the home chord of the key, which gives it this strange feeling of perpetual unfinishedness and driftiness, like being in trance.

I wrote some lyrics for the first verse and prechorus, and then sang them over the progression – and then I improvised the chorus after that, and liked how it came out so I kept it.


Song 42/52: “I’d Marry You Again”

Lyrics:

I’d marry you again
Just say when, just say when
Walk down another aisle
Hey, why not? It’s been a while

No need to have it catered
Don’t need a decorator
And tell our friends and family that we’ll see ya later

Just wanna say those vows
We already know how

I’d marry you once more
And meet you out on the dance floor
I’d throw a bright bouquet
Just like I did back on that day

There’s no RSVPing
It’s all about the feeling
Don’t mean to be repetitive, but it is worth repeating:

I’d marry you again
Just say when, just say when

 

Songwriting diary:

I had tweeted a few days before writing this song about how I still regularly have the momentary thought that I’d like to marry my partner before remembering we already did that. I just love them so much, and wanted to marry them so much before we did it, that my mind evidently still clings onto that as a beloved goal even though it’s already happened. It’s nice.

So, with that in mind, I started improvising words while plucking a minimalistic little ukulele part, and the beginning of this song came out. I built it from there, pulling from online lists of wedding-related tropes and traditions to fill out the rest of the lyrics. It’s a pretty short song (actually it’s the shortest one I’ve done for this challenge), but that’s nice sometimes!


Song 43/52: “Every Morning”

Lyrics:

Is love hard, or has love just been hard before?
My guard is up, but I don’t wanna be guarded anymore

Chorus:
Every morning, you say “I love you”
And every morning, I say “I love you too”
That’s just what we do

My dream love never quite looked the way this does
But my dream, love, was a dream for who I thought I was

(repeat chorus)

Back then, my heart would stop and start
Hot and cold, highs and lows
Then you came ’round; I’m safe and sound
In the now, ’cause I know:

(repeat chorus)

Every morning that I’m in your arms
Is a morning when I thank my lucky stars

 

Songwriting diary:

I was very frustrated this week at my apparent lack of success in writing a song. It was Friday night and I’d polished up 2-3 songs I’d been writing over the past few weeks, but didn’t really like any of them (one was about tattoos, one about gender and one about impostor syndrome). I wrote in a song earlier this year that “the songs never have to be good; they just have to get done,” and while that’s true, there have definitely been several songs this year that I’ve ostensibly finished but haven’t felt good enough about to include as part of this challenge. I always wanted to push myself to write something better instead, which is what happened this week.

I was messing around with my favorite voicing of the Fmajor7 chord on the ukulele and found a rhythmic way of finger-picking it that was very evocative to me, and so I started improvising a vocal line over it. I had just guested on my spouse’s podcast earlier that day, and one of the things we talked about was how I always imagined I’d end up with a writer, actor, visual artist, or other artsy type when I got older, but mb’s personality and brain are creatively oriented even though they’re not in one of those conventionally artsy fields. (Software development definitely involves a lot of creativity!) So I guess I was in a mood to marvel at how our love story turned out so different from what I’d envisioned all those years and is somehow nonetheless exactly what I needed.


Song 44/52: “Grandmaster”

Lyrics:

I don’t know how you bring out the best in us
There’s people like you, and then there’s the rest of us
I take your thoughts as gifts and as gospel truth
Though my family worries that I might be wasting my youth

But it’s not a waste
To follow you anyplace
And I’ll follow you home, ’cause you’re the only home I know

Chorus:
‘Cause you’re my grandmaster
And I’m falling faster
Than I ever thought I could
And though they insult what they call a cult
I know that your heart is good
I know that your heart is good

I thought I knew myself before I met you
But all that I knew was the lens I’d been looking through
My world is shifting as I absorb your words
You never listen, but somehow I still feel heard

But that’s just your way
And of course, I am glad to pay
For the privilege of being a prisoner you’re freeing now

(repeat chorus)

If sometimes I question some of your lessons
I’m sorry if I’m out of turn
If I understood it, I’d know that you’re good at
Helping us learn what we need to learn

(repeat chorus)

I think that your heart is good

 

Songwriting diary:

Months ago, the first two lines of this song randomly occurred to me (“I don’t know how you bring out the best in us/ There’s people like you, and then there’s the rest of us“) and I wrote them down in the music folder of my notes app, not really sure what they were about or when I’d ever be able to use them.

At some point I started watching season 2 of The Vow, which is a show about a New York-based cult called NXIVM that I’ve been fascinated by for a while – I’ve seen a couple of documentary series on it and read a book about it. It occurred to me that those lines sounded like something that one of the cult leader Keith Raniere’s followers might have said about him, and then I decided I wanted to write a song from their perspective. It was partly inspired by “Unworthy of Your Love” from the musical Assassins, specifically the part sung by Squeaky Fromme to her hero and lover Charles Manson, and the way she is clearly so brainwashed and taken in by him. “Grandmaster” is one of the names that Keith Raniere’s followers called him, along with “Vanguard.”

I’m honestly not that happy with this song and it feels like one of the only ones I’ve kind of “phoned in,” but I’m also glad I wrote it and I think there’s some good lines in it. Besides which: the entire point of a challenge like this is to generate new songs, some of which I’m gonna like and some I’m not. It’s a useful lesson in releasing perfectionism and just doing what I can do, every single week.

Can We Please Stop Inviting Freud Into Our Bedrooms?

There’s a debate in the sexual sphere that has raged for centuries, and that debate is: Are vaginal orgasms superior to clitoral orgasms? And further: Is everyone with a vagina capable of having vaginal orgasms, or are some of us “doomed” to only have clitoral orgasms – if that – as long as we live?

I find this debate annoying as hell, for three reasons:

  1. It shames a huge amount of people for the way they get off (or don’t get off), which we definitely don’t need more of.
  2. It implies that vulva-bearing bodies are something to be argued about and commentated on by others, when instead we could just listen to those people about how their own bodies work, since they’re the ones who would know.
  3. It’s largely the result of some theories Freud put forth in his day, and he was extremely wrong about a lot of stuff, not to mention frequently misogynist AF.

 

While I won’t deny that Freud was an important and influential figure in the psychology field, and that some of his ideas had merit, his thoughts on vaginal versus clitoral orgasms were utterly unhinged, and unsupported by any legitimate science I’m aware of. He wrote that part of a healthy transition to adulthood for (cis) women was unlearning the “phallic” desire for clitoral orgasms and instead starting to derive all their sexual pleasure from penetration. He believed that if someone remained “fixated” on having clitoral orgasms, it meant that they were repressed and “infantile.”

I suppose at the time, it would’ve been surprising for a stately male doctor to talk about female sexual pleasure at all – and certainly, his theories laid the groundwork for research that was done later on the G-spot and other sites of vaginal pleasure, hence the worldwide proliferation of A-spot dildos and G-spot vibrators, which I am definitely a fan of. (Freud was multilingual, and one wonders what he would’ve thought of these G-punkt-vibratoren and vibratori punto G if he’d been around to see them.)

Many theorists have also argued that the G-spot is part of the clitoris – its internal portion, which is much larger than what we see on the outside of the body – and that’s an interesting point that raises a lot of questions about how pleasure and orgasm function. But by and large, I think Freud really fucked us over with his thoughts on sexuality, especially those focused on the clitoris and vagina, and we’re still seeing the effects of that today.

See, anatomically speaking, the clitoris is analogous to the penis. This means that expecting someone to experience pleasure – let alone orgasm – from sex where their clit is completely ignored is every bit as unreasonable as expecting a person to get off without having their dick touched at all. It certainly happens, but only for a minority of people, plenty of whom still find it easier to come when, y’know, their main sexual pleasure organ is being stimulated.

Freud’s narrative of women “aging out of” clitoral orgasms and somehow magically starting to have vaginal orgasms instead is hyperfocused on heterosexual, penis-in-vagina sex. He confabulated upon and romanticized his notion of what penetrative sex “should” be like – i.e. effortlessly, mutually pleasurable for both participants all on its own – instead of listening to people about what that type of sex actually felt like for them. And his views have persevered into a whole new millennium, with mainstream publications and doctors alike still debating clitoral orgasms as if there’s anything less real, less legitimate or less good about them.

 

I’d love if we could fully shift, as a culture, toward viewing the G-spot and other vaginal erogenous zones as being more akin to the prostate than the penis – since, anatomically and pleasure-wise, they are. Many people love prostate stimulation but still need some dick contact if orgasm’s gonna happen, and this is understood to be normal and expected. The same should be true for folks who require clit stimulation in order to get off, which is entirely normal (I’ve seen various studies estimate this is the case for around 70-90% of people with vulvas).

Of course, the main reason this fact hasn’t gained more traction in the dominant culture is that it forces cis men to contend with the fact that their dick alone isn’t a fantastical orgasm-administering magic wand. It requires them to give pleasure intentionally and effortfully, instead of just assuming it’ll happen as a byproduct of seeking their own direct pleasure through intercourse. A lot of people with vaginas have also absorbed this messaging, such that they may feel “broken” or “high-maintenance” for having entirely normal sexual anatomy and sexual desires. Imagine a cis guy guiltily asking his girlfriend, “Hey, I know we don’t really do this, but would you maybe wanna touch my dick sometime? I think it would feel good for me.” This, sadly, is an exact parallel of the situation many sexually active people with vaginas are in.

 

But we don’t have to keep perpetuating this paradigm that tells us our bodies are faulty and our desire for pleasure is annoying or immature. We can decide to look at sex in a new way, one that’s actually supported by science and the anecdotal observations of millions of people around the world. We can kick Freud out of our beds, shouting this message back through the centuries: Our pleasure matters, our pleasure is real, and we can and will pursue our pleasure on our own terms.

How My DD/lg Kink Helps Me with Internal Family Systems (IFS) Therapy, and Vice-Versa

Two of the most important concepts I’ve ever learned in my life both go by an acronym: DD/lg, and IFS.

DD/lg, as you probably know if you’ve been reading this site for a while, stands for daddy dom/little girl roleplay, and it’s been a central part of my sexuality since I was about 23-24 (though there were certainly hints of those inclinations in my behavior and fantasies earlier than that). For those unaware, DD/lg is a specific type of D/s (dominance and submission) involving a nurturing, caretaking dynamic between a sub inhabiting a “little girl” role (that’s me!) and a dom inhabiting the role of a wise, nurturing caretaker (that’s my spouse!).

It has nothing to do with incest or (the way I do it) even the fantasy of incest – it’s rare that my partner and I roleplay as a literal daddy and daughter, since that “taboo” aspect is generally not what turns us on about it. Rather, the safety, caretaking, supportiveness and love involved in this dynamic both turn me on and lessen the factors that turn me off (anxiety, body image issues, depression, etc.), creating a psychological environment in which comfort and arousal can both abound.

IFS, on the other hand, stands for Internal Family Systems, a therapeutic modality for healing trauma. IFS is one of the key tools in my current therapist’s toolbox, which is how I got introduced to it – and I’m incredibly glad I did, because it’s truly one of the only things that has actually felt healing and helpful from all my ~16 years of therapy with various different practitioners.

Instead of encouraging you to “logic your way out of” depression, anxiety, and other trauma responses (as in cognitive-behavioral therapy) or to repeatedly relive your traumas aloud as if simply retelling a story could help you heal from it (as in standard talk therapy), IFS teaches you to see every uncomfortable emotion and outsized reaction as a “part” of yourself, who you can have a dialogue with, as if this “part” was an actual human being. In learning to do this work, you can learn to comfort your parts when they need it, instead of letting them flood you with emotion (or “blend with” you, in IFS parlance) whenever you get triggered.

Every “part” represents an earlier version of you who was frozen in time somewhere along the line due to trauma, so a lot of them talk/think/behave much more like children than like adults. But through IFS, you can learn to more and more often inhabit what the model refers to as the Self, with a capital S – the most evolved, integrated part of yourself, essentially the adult who can do the caretaking within your “internal family system” of traumatized childlike parts.

Because I’m a nerd, I’ve supplemented my IFS work in therapy by reading several books on IFS, so I can understand the model better and apply it more effectively in and out of therapy sessions. (The ones I would recommend are No Bad Parts and You Are the One You’ve Been Waiting For, both by the creator of IFS, Dick Schwartz, as well as Healing the Fragmented Selves of Trauma Survivors by Janina Fisher, another IFS practitioner whose work is more explicitly trauma-focused.)

One of the many things I learned from these books is that dealing with so-called “protectors” or “managers” is a big part of the IFS process. These are parts who take on the role of protecting you from feeling the big, deep, scary feelings that can come up when an “exile” (a young part still holding onto old feelings of sadness, shame, rejection and/or aloneness) gets triggered. Protectors and managers might, for example, cause you to fly into a rage when you feel excluded, because anger feels easier and safer than those more vulnerable emotions; they might push you to drink, do drugs, or self-harm in order to block out the exile’s feelings; they might act as an “inner critic,” insulting you and judging you in the hopes that you won’t get hurt as badly if your confidence stays low.

Learning about protectors and managers has been transformative for me; I can recognize now when these types of parts are triggered in other people, which helps me have compassion for what they’re going through and why they might be acting in seemingly odd or irrational ways. But more importantly, I’ve learned a lot more about myself through this lens, like that the parts of me I’ve often hated most – the parts that can be judgmental, mean, and cold – are really just helpless young parts who started acting that way because they didn’t know how else to protect me from feeling sad, worthless and alone.

That being said, I noticed that many of the session transcripts in the IFS books showed a long process of gaining protectors’ trust, convincing them it’s safe to step down from their roles at least temporarily, before the therapist and client would be able to dialogue more directly with an “exile,” the type of young and vulnerable part they’re actually trying to heal. Dick Schwartz emphasizes again and again in his books that if you try to skip straight to a conversation with an exile before first establishing trust with the parts that protect it, havoc could ensue – such as the protectors forcibly taking over, thinking they have no other recourse. (This is why, for example, someone might storm out of therapy after a session or two, saying angrily that it’ll “never work” or it’s a “waste of time” – that’s a protector stepping in and using anger and “logic” as defensive tools to keep the person from feeling the deep, sad feelings of their exile parts.)

What I noticed, in my own IFS work, was that I didn’t have to work as hard as many other people do to keep my protectors mollified. Often I could just dialogue directly with my little exile, maybe after offering some brief reassurance to one or two protectors who came up. I would find myself thrown into the emotional world of a sad ~six-year-old girl, as if she was right there, just under the surface and eager to be engaged with, instead of locked away in some deeply-buried emotional basement chamber. And because I could commune with my exiles relatively quickly upon getting triggered, my healing work – both the in-the-moment process of soothing hard feelings within myself, and the larger-scale project of easing those burdens permanently – seemed to progress more quickly too.

But why were my parts allowing me such close contact with my exiles, without needing to jump through so many hoops and earn so many parts’ trust beforehand? I think it’s because of my experiences with DD/lg.

(I should clarify here that my therapist and I only started seriously diving into IFS work after about a year and a half of working together. Before that, we’d used IFS concepts here and there, but we didn’t really use the IFS process in earnest all that much until I became more interested in it earlier this year. So, I imagine that feeling comfortable with my therapist, and with accessing difficult feelings generally, has also made IFS easier for me than it might otherwise be. And protector parts may, in some sense, have observed the work I was putting into the process and been more willing to “step aside” because of that.)

I think part of why my protectors would “step down” more easily, allowing me more access to my exiles, was that they’d already seen me engage with younger, more vulnerable parts of myself in ways that were healthy, loving and supportive. Through years of doing DD/lg scenes – and just being in a DD/lg dynamic generally – I’d cultivated a strong sense of my “little self,” the version of myself I inhabit when I’m in “little space.” Dick Schwartz talks about a few different key types of intimacy in his books, including “part-to-part” and “part-to-Self” intimacy, and I think my exile has these types of intimacy not only with my partner (who has taken care of her in many different situations, both in and out of scenes) but also with me.

For instance, for years, when I’ve been having a hard time, I’ve sometimes talked to myself as if I was a parent taking care of a little girl, e.g. “Okay, little one, time to clean your room,” or, “We just have to get through this one work assignment and then we can rest, okay, bbgirl?” Over the years I’ve mostly seen this as me “domming myself,” especially at times when I either didn’t have a dom or my dom was physically not present. But in retrospect, I can see that through those interactions, I was cultivating a connection with younger parts of myself – and that in doing so, those parts may have learned to trust me more, and to trust me sooner, than they otherwise would have.

It’s not that I was always a competent adult in my relations with my little self. There were times when I self-harmed, drank too much, went out with people who treated me badly, etc., in an attempt to block out the seemingly unquellable wailing from within (“No one loves me,” “I’m worthless and stupid,” “There is something wrong with me,” and so on). Part of the work I’ve been doing in IFS is making amends with all my parts for the times I was not there for them in the ways they needed me to be. But I do think I had a better-than-average relationship with my exiles upon beginning IFS work, which has made the process feel easier and less scary.

I think one of the reasons I was drawn to DD/lg in the first place, even if I wasn’t consciously aware of it at the time, was that I had this infinitely sad little girl inside me and dreamed that someday, someone would show up and take care of her so well that it would take her pain away. She would no longer have to wonder if she was loveable, or worthy, or good, because someone wise and strong would tell her so. This is what Dick Schwartz calls the search for a “redeemer” – someone who will permanently end your misery and doubt, someone whose adoration finally proves your value in the world, someone who will love you so hard that it undoes all your trauma in one fell swoop.

But the fact is, that person doesn’t exist – even though my spouse is fucking amazing and loves me better and more deeply than I ever could have expected or hoped. No: the best caretaker for my parts, the one who understands them best, the one who loved them first and will love them last, the one who knows what they need and can give it to them day after day after day – that person is, has only ever been, and will only ever be me.

There are times when that feels hard, or impossible; there are times when that makes me angry or sad, because believing in the illusion of an external “redeemer” was easier and in some ways more comforting. But if DD/lg has taught me anything, it’s that patient love and care can be transformative, and can make more room in your life and mind for not only arousal and excitement, but also for comfort, safety, and a sense of wholeness. And just as I took care of myself in the early days of my DD/lg kink by putting a collar on myself and lovingly bossing myself into doing household tasks, so too can I take care of myself now, by being the “redeemer” I need and deserve.