Live Sex Show is a film by Courtney Trouble, the mastermind behind QueerPorn.TV, among other filthy hot projects. It was shot at a Masturbate-a-Thon in front of an audience of 200 people, so it’s quite different from any other porn I’ve seen. There is crowd interaction, there is an almost theatrical dynamic sometimes, but mostly, there’s just a lot of really hot fucking.
The film opens with Kimberlee Cline performing a sensual striptease. Once her pussy’s exposed, she reclines on the big, colorful sofa that all the performers will fuck on, and gives herself a cute little clitoral orgasm with her fingers. The crowd cheers; Kimberlee giggles. It’s a good scene but it’s nothing mindblowing.
Next up is a fairly traditional girl/boy scene starring Jolene Parton and Peter Devries. They make out, exchange oral sex, and then fuck romantically in various positions. Jolene’s got a gorgeous, voluptuous body, and Peter makes noise (yay, man-moans!) while his handsome uncut cock gets sucked, but this is otherwise an unremarkable scene.
The next scene is where things start to pick up a bit. It features BBW hottie April Flores and her real-life lover, who goes by The Matador. April looks foxy in a velvet jumpsuit and pink fishnets, masturbating on the floor until her man shows up and puts his dick in her mouth.
The Matador wears a mask over his face for most of the scene. At first I thought it was to maintain his anonymity, but then I saw that he takes it off midway through the session to go down on April, so I guess privacy isn’t that important to him after all? I’m not sure what’s up with this.
Weirdness aside, it’s a good scene, made up of equal parts oral, fucking, and groping. April is her usual enthusiastic and sweet-faced self, and the pair are obviously very attracted to each other. One particularly lovely moment: the Matador rips April’s fishnets open to get a better grip on her juicy ass. Nice touch. The only major problem with this scene is that it’s not very well lit, so there are plenty of moments where I feel like I can’t see the best part of what’s going on.
Next comes the kind of genderfuckery that I’ve learned to expect from QueerPorn. Tina Horn, who I’ve written about before, acts as sub to her real-life partner (I think?), Roger Wood. In researching Roger to check on pronouns for this review, I found out that he identifies not as FTM but as “F to James Brown,” but that his porn persona is decidedly male.
I find Roger very attractive, and he certainly has a great connection with Tina, but I don’t think he makes a very convincing on-screen dom. His spanking, roughness, and domination just don’t seem wholly impassioned to me for most of the scene.
The turnaround comes when Tina and Roger take a bow, thinking their time is up. Someone tells them from off-camera that they’ve got more time if they want to continue, so they do, dropping all pretences and fabricated characters. They just fuck, and it comes off as way more authentic and pleasurable than the rest of the scene up til then.
The next scene is the crowning glory of this film, because it features two huge stars of the porno galaxy: Nina Hartley and Jiz Lee. (Don’t get confused when I use “they/them” pronouns in this part of the review; those are the ones Jiz prefers for themself.)
My boyfriend doesn’t think it’s sexy at all how Nina starts out this scene with an anatomical explanation of what she’s doing to Jiz, and I have to agree – but it is kind of endearing how Nina looks for opportunities to educate people on sex. The pair talk about their preferences, desires, and what’s off-limits (for example, Nina abhors being bitten), having never met before this performance.
This scene is fantastic because both of the performers clearly admire each other and are excited about fucking each other (and indeed, Nina liked the experience so much that she ended up working for Crash Pad Series solely for the opportunity to have sex with Jiz again). Nina fists Jiz to an orgasm with the help of a Hitachi. Nina’s a pro dirty-talker, telling Jiz that their pussy is “tight and slick and strong” while holding their throat and pumping her fist in and out like the expert she is. It’s astonishing to see two seasoned professionals clearly delighting in one another, not blasé or routine in the least.
Then they switch roles and do the exact same thing the other way: fast finger-fucking and a helpful Hitachi. When Nina finally orgasms, she grabs Jiz in a fierce kiss of gratitude and the audience goes wild.
The last scene of the film is an impromptu gangbang. Nina crows, “Let’s everybody get on Courtney!” and all the female-bodied performers proceed to pile onto the filmmaker, Courtney Trouble. Tina Horn straddles Courtney’s mouth wearing a strap-on, April blindfolds her and starts playing with one of her nipples, Roger handles the other breast, Nina puts her magic hand to work in Courtney’s pussy, and Jiz takes care of the clit stimulation. What results is an epic, if slightly repetitious scene, the likes of which I’ve never seen anywhere before.
Live Sex Show has its fair share of problems – it’s sometimes poorly lit, there are moments that come off as awkward and faked, and the first few scenes are unimpressive. But I still think it’s worth the price of admission, by far. The bodies are real, the orgasms are real, the attractions are real, and the second half of this film is some of the best on-screen sex I’ve ever had the pleasure of watching.
