How My DD/lg Kink Helps Me with Internal Family Systems (IFS) Therapy, and Vice-Versa

Two of the most important concepts I’ve ever learned in my life both go by an acronym: DD/lg, and IFS.

DD/lg, as you probably know if you’ve been reading this site for a while, stands for daddy dom/little girl roleplay, and it’s been a central part of my sexuality since I was about 23-24 (though there were certainly hints of those inclinations in my behavior and fantasies earlier than that). For those unaware, DD/lg is a specific type of D/s (dominance and submission) involving a nurturing, caretaking dynamic between a sub inhabiting a “little girl” role (that’s me!) and a dom inhabiting the role of a wise, nurturing caretaker (that’s my spouse!).

It has nothing to do with incest or (the way I do it) even the fantasy of incest – it’s rare that my partner and I roleplay as a literal daddy and daughter, since that “taboo” aspect is generally not what turns us on about it. Rather, the safety, caretaking, supportiveness and love involved in this dynamic both turn me on and lessen the factors that turn me off (anxiety, body image issues, depression, etc.), creating a psychological environment in which comfort and arousal can both abound.

IFS, on the other hand, stands for Internal Family Systems, a therapeutic modality for healing trauma. IFS is one of the key tools in my current therapist’s toolbox, which is how I got introduced to it – and I’m incredibly glad I did, because it’s truly one of the only things that has actually felt healing and helpful from all my ~16 years of therapy with various different practitioners.

Instead of encouraging you to “logic your way out of” depression, anxiety, and other trauma responses (as in cognitive-behavioral therapy) or to repeatedly relive your traumas aloud as if simply retelling a story could help you heal from it (as in standard talk therapy), IFS teaches you to see every uncomfortable emotion and outsized reaction as a “part” of yourself, who you can have a dialogue with, as if this “part” was an actual human being. In learning to do this work, you can learn to comfort your parts when they need it, instead of letting them flood you with emotion (or “blend with” you, in IFS parlance) whenever you get triggered.

Every “part” represents an earlier version of you who was frozen in time somewhere along the line due to trauma, so a lot of them talk/think/behave much more like children than like adults. But through IFS, you can learn to more and more often inhabit what the model refers to as the Self, with a capital S – the most evolved, integrated part of yourself, essentially the adult who can do the caretaking within your “internal family system” of traumatized childlike parts.

Because I’m a nerd, I’ve supplemented my IFS work in therapy by reading several books on IFS, so I can understand the model better and apply it more effectively in and out of therapy sessions. (The ones I would recommend are No Bad Parts and You Are the One You’ve Been Waiting For, both by the creator of IFS, Dick Schwartz, as well as Healing the Fragmented Selves of Trauma Survivors by Janina Fisher, another IFS practitioner whose work is more explicitly trauma-focused.)

One of the many things I learned from these books is that dealing with so-called “protectors” or “managers” is a big part of the IFS process. These are parts who take on the role of protecting you from feeling the big, deep, scary feelings that can come up when an “exile” (a young part still holding onto old feelings of sadness, shame, rejection and/or aloneness) gets triggered. Protectors and managers might, for example, cause you to fly into a rage when you feel excluded, because anger feels easier and safer than those more vulnerable emotions; they might push you to drink, do drugs, or self-harm in order to block out the exile’s feelings; they might act as an “inner critic,” insulting you and judging you in the hopes that you won’t get hurt as badly if your confidence stays low.

Learning about protectors and managers has been transformative for me; I can recognize now when these types of parts are triggered in other people, which helps me have compassion for what they’re going through and why they might be acting in seemingly odd or irrational ways. But more importantly, I’ve learned a lot more about myself through this lens, like that the parts of me I’ve often hated most – the parts that can be judgmental, mean, and cold – are really just helpless young parts who started acting that way because they didn’t know how else to protect me from feeling sad, worthless and alone.

That being said, I noticed that many of the session transcripts in the IFS books showed a long process of gaining protectors’ trust, convincing them it’s safe to step down from their roles at least temporarily, before the therapist and client would be able to dialogue more directly with an “exile,” the type of young and vulnerable part they’re actually trying to heal. Dick Schwartz emphasizes again and again in his books that if you try to skip straight to a conversation with an exile before first establishing trust with the parts that protect it, havoc could ensue – such as the protectors forcibly taking over, thinking they have no other recourse. (This is why, for example, someone might storm out of therapy after a session or two, saying angrily that it’ll “never work” or it’s a “waste of time” – that’s a protector stepping in and using anger and “logic” as defensive tools to keep the person from feeling the deep, sad feelings of their exile parts.)

What I noticed, in my own IFS work, was that I didn’t have to work as hard as many other people do to keep my protectors mollified. Often I could just dialogue directly with my little exile, maybe after offering some brief reassurance to one or two protectors who came up. I would find myself thrown into the emotional world of a sad ~six-year-old girl, as if she was right there, just under the surface and eager to be engaged with, instead of locked away in some deeply-buried emotional basement chamber. And because I could commune with my exiles relatively quickly upon getting triggered, my healing work – both the in-the-moment process of soothing hard feelings within myself, and the larger-scale project of easing those burdens permanently – seemed to progress more quickly too.

But why were my parts allowing me such close contact with my exiles, without needing to jump through so many hoops and earn so many parts’ trust beforehand? I think it’s because of my experiences with DD/lg.

(I should clarify here that my therapist and I only started seriously diving into IFS work after about a year and a half of working together. Before that, we’d used IFS concepts here and there, but we didn’t really use the IFS process in earnest all that much until I became more interested in it earlier this year. So, I imagine that feeling comfortable with my therapist, and with accessing difficult feelings generally, has also made IFS easier for me than it might otherwise be. And protector parts may, in some sense, have observed the work I was putting into the process and been more willing to “step aside” because of that.)

I think part of why my protectors would “step down” more easily, allowing me more access to my exiles, was that they’d already seen me engage with younger, more vulnerable parts of myself in ways that were healthy, loving and supportive. Through years of doing DD/lg scenes – and just being in a DD/lg dynamic generally – I’d cultivated a strong sense of my “little self,” the version of myself I inhabit when I’m in “little space.” Dick Schwartz talks about a few different key types of intimacy in his books, including “part-to-part” and “part-to-Self” intimacy, and I think my exile has these types of intimacy not only with my partner (who has taken care of her in many different situations, both in and out of scenes) but also with me.

For instance, for years, when I’ve been having a hard time, I’ve sometimes talked to myself as if I was a parent taking care of a little girl, e.g. “Okay, little one, time to clean your room,” or, “We just have to get through this one work assignment and then we can rest, okay, bbgirl?” Over the years I’ve mostly seen this as me “domming myself,” especially at times when I either didn’t have a dom or my dom was physically not present. But in retrospect, I can see that through those interactions, I was cultivating a connection with younger parts of myself – and that in doing so, those parts may have learned to trust me more, and to trust me sooner, than they otherwise would have.

It’s not that I was always a competent adult in my relations with my little self. There were times when I self-harmed, drank too much, went out with people who treated me badly, etc., in an attempt to block out the seemingly unquellable wailing from within (“No one loves me,” “I’m worthless and stupid,” “There is something wrong with me,” and so on). Part of the work I’ve been doing in IFS is making amends with all my parts for the times I was not there for them in the ways they needed me to be. But I do think I had a better-than-average relationship with my exiles upon beginning IFS work, which has made the process feel easier and less scary.

I think one of the reasons I was drawn to DD/lg in the first place, even if I wasn’t consciously aware of it at the time, was that I had this infinitely sad little girl inside me and dreamed that someday, someone would show up and take care of her so well that it would take her pain away. She would no longer have to wonder if she was loveable, or worthy, or good, because someone wise and strong would tell her so. This is what Dick Schwartz calls the search for a “redeemer” – someone who will permanently end your misery and doubt, someone whose adoration finally proves your value in the world, someone who will love you so hard that it undoes all your trauma in one fell swoop.

But the fact is, that person doesn’t exist – even though my spouse is fucking amazing and loves me better and more deeply than I ever could have expected or hoped. No: the best caretaker for my parts, the one who understands them best, the one who loved them first and will love them last, the one who knows what they need and can give it to them day after day after day – that person is, has only ever been, and will only ever be me.

There are times when that feels hard, or impossible; there are times when that makes me angry or sad, because believing in the illusion of an external “redeemer” was easier and in some ways more comforting. But if DD/lg has taught me anything, it’s that patient love and care can be transformative, and can make more room in your life and mind for not only arousal and excitement, but also for comfort, safety, and a sense of wholeness. And just as I took care of myself in the early days of my DD/lg kink by putting a collar on myself and lovingly bossing myself into doing household tasks, so too can I take care of myself now, by being the “redeemer” I need and deserve.

Behind the Seams: Hearts, Weddings, & Bumblebees

July 3, 2022

My spouse asked me on a long-distance date, wherein we each go to a restaurant in our respective cities and talk on the phone while we eat. I wore this outfit to Blu Ristorante to sip some fancy cocktails and eat some delicious butternut squash ravioli while my love and I caught up about our days.

I had just recently acquired these black leather Chucks after going back and forth on them for a long time. Despite loving the aesthetic of this particular shoe (and owning a similar, dark purple pair back in high school), I was worried they would give me Bad Gender Feelings, as sometimes happens when I wear something that veers a little too far past the borders of my particular femmeness. But I’ve actually worn them so much. They go with pretty much every casual outfit, and – as this one shows – are even suitable for some dressier looks too.

What I’m wearing:
• Navy figure skater dress – American Apparel
Black leather Chuck Taylor All-Star high-top sneakers
• Black leather Coach Station bag – vintage on eBay
• Apple Watch with red leather band from Jewlz4less
• Teal leather Tiffany & Co. dog collar – a gift from my love


July 4, 2022

It’s funny how I thought these shoes would feel too far afield from my femmeness, but then they ended up sort of stretching my femmeness to accommodate them, in a way that I’ve really enjoyed.

While I’m wearing this shirt almost as a tunic or dress in this ensemble, it was sold as a regular unisex tank top by American Apparel when I bought it several years ago; I got two of them (this one and a light teal one) and went up a couple sizes so I could wear them as nightgowns around the house. I’ve rarely worn them out but liked how the colorway looked with these shoes.

I love wearing pearls with more androgynous-leaning outfits like this. They lend a tinge of feminine sweetness to the look, balancing it out.

What I’m wearing:
• 
Slate grey “Lesbian Gay Bisexual Transgender Pride” tank top – American Apparel
• Black leggings – Gap
• Black leather Chuck Taylor All-Star high-top sneakers
• Black leather Coach Station bag – vintage on eBay
• Pearl necklace – gift from my love
• Apple Watch


July 12, 2022

Calvin Klein makes some of my very favorite loungewear; I have practically worn my CK modal nightgowns to shreds at this point. In trying to ascertain whether they made any comfy clothes that were actually meant to be worn outdoors (not that there’s anything wrong with just rocking sleepwear in public), I saw that they had this great modal tank dress. It’s a longer, looser cut than I’d normally feel comfortable wearing, but the fact that it’s black lends it a sort of simple sophistication that I nonetheless enjoy. Incidentally, this dress is now my favorite thing to wear for air travel – over some leggings and under a cashmere cardigan – because it’s so damn comfy.

I wore this outfit to go have drinks at my local pub with an old friend who I used to date. We caught each other up on our lives over a couple pints, and then I sauntered back home in the lingering summer-evening light.

What I’m wearing:
Calvin Klein compact modal tank dress
• Black leather Chuck Taylors
• Pink leather tote – Coach
• Apple Watch
• Blue and black sunglasses – purchased at the hotel gift shop at Woodhull 2017; I wore them a lot to hide my tears while mourning a breakup that happened shortly thereafter, and this was the last time I wore them before they broke and had to be thrown out


July 23, 2022

Another look for getting drinks nearby with an old friend (a different friend this time). It’s hard to put together an outfit that is both amenable to the heat of summertime in Toronto and relatively presentable-looking, so I gave up and wore a bumblebee romper instead.

Kidding aside, I kinda live in MeUndies rompers during the warmer months, both at home and while out and about. They’re incredibly comfy, breathe relatively well, and come in an ever-changing assortment of eccentric prints – ideal.

What I’m wearing:
• Bumblebee-print modal romper – MeUndies (who also, no doubt, made the underwear I was wearing that day – my steadfast dedication to certain brands is a very stubborn-Taurus trait, huh)
• Black leather Chuck Taylors
• Pink leather tote – Coach
• Pink rhinestoned heart necklace – Tarina Tarantino
• Matching KN95 mask – MaskC


August 24, 2022

I wore this outfit in the evening after mb and I had gotten back from an afternoon spent at the local nude beach, Hanlan’s Point. (If you’re curious, you can read about my experience there in this newsletter essay or hear about it in this Dildorks bonus episode.) When we got home, we showered off all the sand – SO MUCH SAND – and then rested and hydrated for a bit before getting dressed for dinner.

We went over to El Rey, a fantastic Mexican restaurant/mezcal bar in downtown Toronto, for margaritas, tacos, etc. Their patio was super chill and everything we ate and drank was excellent; would recommend.

What I’m wearing:
• Pink and white striped linen shirt, tied into a bow in the front – Old Navy
• White tank top underneath (unseen) – a gift from the brand #LubeLife
• Blue pencil skirt – bought from ASOS several years ago and subsequently tailored to fit me better
• Black prescription sunglasses – Zenni (I love these and kinda want to wear them all the time)
• Pink leather tote bag – Coach
• Black leather Frye harness boots


September 18, 2022

While visiting New York for a couple weeks, I wore this to go have brunch with my friend Brent on a patio in the Queens neighborhood he’d recently moved to. It turned out that the restaurant had a policy where every entree optionally came with a free drink (mimosa, bellini, etc.), which we had in addition to some fruity frozen cocktails we spotted on the menu… so, needless to say, our brunch got a bit boozier than anticipated, but for me and Brent, that mostly just means we talk about sex more and make more puns.

My spouse bought me these jeans several months ago and, while I love their flattering high-rise cut and they’re probably my favorite jeans I’ve ever owned, I haven’t been able to bring myself to buy another pair for my collection (maybe in a navy), because they cost $128 and I wear jeans so seldom that that seems steep. But I will probably wear these until they’re falling apart.

What I’m wearing:
• Red T-shirt featuring a fun illustration of the Hitachi Magic WandPen & Kink
Black high-rise vintage-wash jeans – Madewell
• Black leather Frye harness boots
• Red rhinestoned heart necklace – Tarina Tarantino
• Red heart-shaped leather bag – Kate Spade (isn’t it the best?!)


September 23, 2022

My lovely spouse had been asked to officiate their sister’s wedding, so we took the train to Philadelphia for the weekend and stayed in a hotel there while joining in the festivities.

mb’s suit, custom-made for the wedding (which you’ll see below), was burgundy, and we’d decided (as we often do) to coordinate our outfits. I saw this vintage Betsey Johnson dress in my size on eBay and impulsively snapped it up, knowing I probably wanted to wear navy to the wedding instead but imagining that this red dress could be my backup. I ended up wearing it to the wedding rehearsal and then the rehearsal dinner, which is where we were headed when these photos were taken.

It was a lovely, crisp day, the rehearsal went beautifully, and the food and drinks at the rehearsal dinner were as delightful as the company. When my fibro fatigue caught up with me, I said my goodnights and slipped away to take a hot bath in our hotel room by myself – at which point I read the last few chapters of Carrie Soto is Back and wept so hard at the book’s beauty that I think I freaked out my spouse for a sec when they arrived and saw my teary face!

What I’m wearing:
• 
Red brocade dress – vintage Betsey Johnson, bought on eBay
Cropped red cardigan – Urban CoCo
• Opaque navy tights
• Red leather heart-shaped bag – Kate Spade
• Black heels – some random company on Amazon; bought as part of my Bettie Page costume for Halloween a year or two ago


September 24, 2022

Here’s what I wore for the actual wedding, which was wonderful, emotional and sweet. After having a transcendent brunch, just the two of us, at The Love, we got all dolled up in our hotel room and then caught a shuttle to the venue, where photographs were taken for a while before the event itself started.

mb let me help them choose some of the accoutrements they wore with this stunning suit; my main contributions were finding the pocket square they went with (it’s barely visible here but had a vivid red-and-blue abstract floral pattern) and picking a shade of lipstick that matched their suit almost exactly. It was “Velvet Jazz” by Lisa Eldridge, and we each bought a tube and both wore it to the wedding. Cute.

What I’m wearing:
• Navy sequinned dress – Le Chateau (I had wondered if it was a tad bit too sexy or flashy for a wedding but I think it ended up being fine)
Cropped red cardigan – Urban CoCo
• Opaque navy tights
• Red leather heart-shaped bag – Kate Spade
• Black leather heels – Amazon
• Red rose hair accessory – Amazon
• Red rhinestoned heart necklace – Tarina Tarantino
False lashes – Sugarpill

“A Song A Week” Challenge: Monthly Recap 9 of 12

Song 36/52: “Red Lipstick”

Lyrics:

Red lips sink ships, and turn a lot of heads
They stare, but who cares? I like wearing reds
Trends say red may scare the average guy
So I pull out the bullet, and proudly reapply

Chorus:
Give me scarlet, russet, crimson, vermilion
Cherry, berry, carnelian, persimmon
Paint it on me, lay it on thick
Paint it on me, my red lipstick

Boys say they won’t kiss my ruby mouth
They don’t really get what it’s about
Boys say they don’t want to make a mess
But if they want me, they’d want me nonetheless

(repeat chorus)

I’ve got so many shades
For all different days
Some are matte, some are glossy
Some are soft, some are bossy
I’ve got pride, I’ve got power
I am bright like a flower
And if you don’t wanna kiss
Then I guess I’m done with this

(repeat chorus)

 

Songwriting diary:

I wrote 90% of this song back in May, but set it aside (permanently, I thought) for two reasons. One was that I thought the chorus was too cloying, annoying, and repetitive. The other was that I’d set out to write a song about my love for red lipstick in general, and instead found myself writing about men’s reactions to red lipstick, which felt counter to what I was trying to do with the song.

However, over the months to come, this song kept coming back to haunt me, more than any other musical fragment I’d left behind. I realized that the traits I’d identified as “annoying” or “repetitive” in the chorus actually made it a bit of an earworm. I’ve never been very good at consistently writing “catchy” songs, and I think a huge part of that is how averse I am to being too repetitive (I think this comes from my parents lightly criticizing me for playing super-repetitive Regina Spektor songs on the piano all the time when I was a teen, lol). It was interesting that the very trait that’d worried me about the song was actually part of what made it great.

As for focusing too much on men’s reactions, I realized I could just lean into that aspect of the song and make it into a song that’s explicitly about men’s reactions to red lipstick, and my own reactions to those reactions. There’s no reason I need to write a magnum opus incorporating all my thoughts and feelings on red lipstick; I’ve referenced it in songs before and no doubt will again. Once I accepted that, I had no problem finishing the bridge and therefore finishing the song. Everything but the bridge is more-or-less unchanged from how I originally wrote it back in May.


Song 37/52: “Notice Me”

Lyrics:

I’ve got a poster of your face in my locker
And a collage of all your interviews
Everyone knows that you’re my favorite rocker
They’re always joking that I’m stalking you

I cut your girlfriend’s face out of a photo
And then I glued myself in perfectly
We’ve never met, and so I know that you don’t know
You’re gonna spend your fuckin’ life with me

I don’t mind waiting
I’ll follow you across state lines
To catch the show in Toledo
And see if I can finally make you mine

Chorus:
Notice me from the stage
Notice my lips, my hips, but not my age
And when the curtain falls and the show is through
Notice me, the way I notice you

Sure, there are boys who I could date with less trouble
They’re always laughing in the gym; they clog the halls
But they’re disasters made of swagger and stubble
They’ve got no class, they’ve got no charm at all

I don’t mind waiting
Until I’m 18, if I must
I’ll catch the show in Chicago
And on the Megabus, I’ll think of us

(repeat chorus)

The night gets dark
I watch the stars
No need to wonder where you are
Tonight it’s Milwaukee
Then off toward the Rockies
I’ll follow you far, I’ll follow you far

The night gets dark
I watch the stars
No need to wonder where you are
Tonight, Minnesota
And then South Dakota
I’ll follow you far, I’ll follow you far, so far

(repeat chorus)

 

Songwriting diary:

One day I walked down to the beach hoping to write some new lyrics, and on my way there, I thought about how much I like songs that start with a vocal line before any instrumentation comes in (the Beatles’ “You’re Gonna Lose That Girl” is an example), and how I hadn’t written a song like that in a while, so maybe I wanted to do that.

Once I found a seat at the beach, I pulled up a random word generator to get 3 words to inspire a song. The words this time were “substitute,” “object,” and “connection,” which made me think about parasocial relationships and how, when I was a teen (and even later), I’d often develop romantic obsessions with actors and musicians because it was easier and less vulnerable than pursuing someone I knew IRL.

I drafted these lyrics, and didn’t decide until about halfway through that it was going to be a song about a girl stalking her celeb crush. When the line about “the show in Toledo” came to me, it seemed right to mention other locations later on in the song, and her stalking him seemed like the most compelling way to do that.

Researching American geography was the most time-consuming part of this songwriting process; I had to figure out a route that made sense but that also included names of regions or cities that rhymed with each other. But it was a fun challenge, and I figured it out eventually!


Song 38/52: “I Could Not Write a Song This Week”

Lyrics:

I could not write a song this week
I could not rhyme, I could not think
I tried and tried to eke one out
But I was overcome with doubt

I could not write a song this week
I could not sing, I could not speak
But that’s just how it goes sometimes
And so I wrote these goofy lines

Some say that writer’s block doesn’t exist; it’s a hoax
And some say it’s par for the course for all creative folks
Whatever the answer, I know a block when I feel one
I’m writing and writing, and nothing I’m writing feels done

I could not write a song this week
My inspiration’s looking bleak
I barely leave the house, then I
Feel stuck, and then I wonder why

I could not write a song this week
I’m wondering if I’ve hit my peak
Should I cut myself some slack
Or just admit that I’m a hack?

Perfectionists find it depressing to make art that sucks
And sometimes I wish that I gave a bit less of a fuck
‘Cause judging my output is pointless – the point’s to have fun
The songs never have to be good; they just have to get done

I guess I wrote a song this week

 

Songwriting diary:

I was verrrrry writer’s-blocked this week, in part because I had less time than usual to finish my song because I was leaving on a trip to New York on Friday and wanted to finish it before that. I worked on 2-3 other song ideas but none of them were really coming together.

While scrolling back through my folder of song ideas, I stumbled across the first stanza of these lyrics, which I had written several months previous. I’d tucked this idea away, thinking it would be a good failsafe someday if I was ever feeling uninspired – which was exactly what ended up happening. I built from that initial starting point and it was much easier than trying to come up with something wholly new.

It was actually really cathartic to write this song and I feel good about how it came out. It was a useful reminder that sometimes songwriting is more craft than art, in the sense that having a structured songwriting process can help you crank one out even if you feel you have nothing new to say.


Song 39/52: “Existentialist”

Lyrics:

Do you feel the dread
Seeping through the cracks?
Do you read the news?
Do you know the facts?

They say the world is ending soon
Do you know what you will do
When the smoke fills the sky
And we have to wonder why?

Chorus:
What’s the point? What is this?
Quick, we need an existentialist
Where’s the joy? Where’s the bliss?
Please, we need an existentialist
To get us through this

I read a lot in school
On nihilistic angst
When other kids were cursing fate
I was giving thanks

But I still don’t know just what to do
When the world is ending soon
Do we hide and count the days?
Or do we stride into the blaze?

(repeat chorus)

Jean-Paul Sartre, Kierkegaard
Back then, you were avant-garde
Dostoevsky, Friedrich Nietzsche
Now we’d really love to meet ya
Heidegger and de Beauvoir
How I wonder where you are
Lewis Gordon, Al Camus
There’s so much we can learn from you

(repeat chorus)

 

Songwriting diary:

I was feeling uninspired so I returned to my old friend, the random word generator. One of the supplied words was “philosophy,” a subject I studied pretty extensively in high school and university, so I started wracking my brain for philosophical ideas I wanted to explore in a song. Existentialism has always been my favorite area of philosophy, and I’ve found the existentialist paradigm particularly useful and comforting as our world has descended further and further into fascism, chaos and the climate crisis over the past several years.

I started improvising vocals over chords and sang the lines, “It’s at times such as this/ that I think of the existentialists/ and how they taught us to/ see the power in everything we do.” Eventually I figured out a chord progression that felt suitable and built that initial lyrical idea into something more finessed.

The song was originally much more slow and sad-sounding, but once I’d written it, I felt it made more sense to speed it up and give it more of an unnerved, almost angry feeling. From start to finish, the whole song took about half an hour to write.


Song 40/52: “Tinder”

Lyrics:

Why is every girl on Tinder beautiful?
How do they do eyeliner so flawlessly?
How come all their open hearts are bruised and full?
Profiles packed with doubting and apologies

Chorus:
The world’s not fair
You can see it in this app – it’s all right there
All the pain and all the people who don’t care
If they make you smile or make you come or cry
All I do is swipe and wonder why

Why is every guy on Tinder at the gym?
Or fishing up a trout down at the dock?
Guess I’d rather that than to see more of him
Please don’t send me pictures of your… oh, fuck

(repeat chorus)

Don’t say “hey u up?”
Never just say “sup”
It’s impersonal, so why don’t
You just read my fucking bio?
Don’t destroy the mood before we’ve built it up

(repeat chorus)

 

Songwriting diary:

I had written the first and second verses of these lyrics several months ago, and found them while I was desperately trawling my music notes folder for something I could salvage into a song. I started singing those lyrics on top of a basic chord progression and then, as sometimes happens, started hearing the next section (the chorus) in my head, as if I was listening to a song rather than writing one. Then I had to write lyrics to fit into the melody and rhythm I was hearing. The bridge was written in the same way.

One of the songwriting books I read this year said that if something was invented within the past ten years, you shouldn’t mention it in a song, because there’s a strong chance it’ll make the song sound dated after not too long. Tinder has been around for just over ten years so I think I’m good 😅 To be honest, I’ve barely used it since I started dating my now-spouse in late 2017, but whenever I check back in on what’s going on over there, I notice similar patterns to how things were when I was a much more frequent Tinder user.

The hardest part of writing this song was figuring out what to say after “Please don’t send me pictures of your…” Some other options I considered were “pet rock,” “Starbucks,” “mohawk,” “dirty sock,” and “Glock.”

How to Squirt

While I’ve written about squirting here on occasion, it occurred to me recently that I’ve never written an instructional piece on how I actually do it. And as someone who benefited from reading such instructional pieces before I learned to squirt, I thought it only fair that I pay it forward, like some kind of ejaculatory philanthropist.

 

FAQ

Q. What is squirting?

A. Squirting is sometimes also known as “female ejaculation,” but I don’t tend to use that term anymore because it’s trans-exclusionary. What we’re really talking about here is people with vaginas expelling a sexual fluid from their urethra (as opposed to from the vagina itself, where regular vaginal lubrication comes from), and not all people with vaginas are women so “squirting” is the more inclusive term. However, as with any other sexual language, it all really comes down to what feels hot and affirming to you and your partner(s), so if you want to call it something else, feel free.

Q. Is squirting really just peeing?

A. While I’ve no doubt that sometimes you might think you’re squirting and find that you’ve actually peed (and this has definitely happened to me), some science has shown – and I believe, based both on firsthand experience and on extensive research – that actual squirt is a chemically distinct substance from urine.

One of its defining features is that it contains – among other components – prostate-specific antigen (PSA), an ingredient also found in semen. A much-talked-about study which claimed to “prove” that squirt is urine actually did no such thing; you can read my explanation of why in this blog post (pay particular attention to reasons #6 and #1). Further, even if squirting was pee, in my view it would still be a sexual fluid since it’s emitted during sexual activity, and there’s nothing about pee that makes it any grosser than squirt or semen (especially since both of those fluids contain traces of pee due to where they’re emitted from).

Q. Does squirting feel good?

A. For me, it’s a pleasant release, but nowhere close to the intense pleasure of an orgasm. (On that note: squirting and orgasm don’t necessarily occur simultaneously, and experiencing one during a session does not guarantee you’ll experience the other in the same session.) To the extent that my partners and I enjoy it when I squirt, it’s usually more about the showiness of it and the sense of cathartic release than it is about the heights of pleasure.

Q. Is it still squirting if the liquid sort of gushes or leaks out, instead of spraying a great distance?

A. Yes. Assuming we’re talking about actual squirt (as opposed to just a lot of vaginal lubrication), the force at which it is expulsed will vary from person to person and from session to session, so there might not always be a big theatrical geyser like you’d see in porn. This is fine and doesn’t make you a less accomplished or less sexy squirter.

Q. When/how did you first learn to squirt?

A. I squirted for the first time in the summer of 2015, after trying to learn how for several years. Some resources which helped me were Deborah Sundahl’s book on the subject and my friend Epiphora’s blog posts about squirting, especially this one about her first time squirting. I was using the Njoy Eleven the first time I squirted; there will be more info about technique and toys below.

Q. Can anyone with a vulva squirt?

A. I don’t know for sure; I don’t think anyone really knows, as of yet (not least because vulvovaginal pleasure is a surprisingly understudied topic in science compared to, say, erectile dysfunction or sperm production – gee, wonder why). But if squirting is anything like the other various sexual responses the human body is capable of, then no, probably only some people can do it.

I would imagine that some of the factors involved in determining whether you can squirt are the distance between your vagina and your urethra, the sexual sensitivity of your G-spot, and the fitness and tightness of your pelvic muscles, but who the hell knows.

Q. Is this article a set of universal instructions that can help anyone learn to squirt?

A. Nope, it sure isn’t. This article describes the techniques that work for me when I want to squirt. I hope that they help you learn to squirt if that’s something you want to do, but they might not, and that’s okay too.

 

Preparation

Lay Down a Towel: One of the biggest hindrances to squirting for the first time is that the lead-up can make you feel like you’re going to piss the bed, and since most of us are literally trained from birth to avoid doing that, our muscles predictably tense up when we feel that feeling, preventing the squirt from flying free. For this reason, plus for general peace of mind and to reduce your laundry costs, I’d recommend laying down a thick towel (possibly folded over a few times, if it’s big enough) underneath yourself before you try to squirt. If you want to get really fancy, you can use a waterproof blanket instead, like the Liberator Throw.

Empty Your Bladder: Naturally, you’ll be less scared of pissing yourself if you know you emptied your bladder before you got started. (Side note: it’s also a good idea to pee after a squirting session, if you’re able to, as this can ward off UTIs. But some scientists think squirting’s evolutionary purpose is to ward off UTIs, so, who knows?)

Chill Out: Because squirting (in my experience) requires you to relax both your muscles and your mind, it’s worth doing some de-stressing before you attempt it. Take a hot bath, perhaps. Put your phone on Do Not Disturb. Play some relaxing music. Dim the lights. Draw the curtains. You get the picture.

Go Solo: When attempting anything new sexually, I often recommend doing it alone (if it’s a thing that can be done alone) before trying it with a partner. This is especially true when there is a risk of embarrassment or mess, and while there’s nothing intrinsically embarrassing about squirting, many people are horrified at the possibility of accidentally peeing on a partner. Unless you think your partner’s physical strength and/or emotional support would be vital in your squirting quest, I’d suggest keeping this a solo activity until you’re confident you know the mechanics of it and are ready to invite a partner into that experience.

 

Technique

Take Your Time Getting Turned On: In my experience, I will only squirt if I’m already very turned on and have been for at least 15-20 minutes or so. If I want a masturbation session to end in squirting, I’ll spend a long time warming myself up by watching porn or reading erotica, doing a lot of clitoral stimulation, etc. Likewise, if a partner wants to make me squirt, generally they’ll need to take their time with me. With rare exceptions, squirting is not a quickie-friendly activity for me.

Use Lube: The fast, hard thrusting often required for squirting is much easier to achieve if everything is well-lubed. Sutil Rich is my favorite lube and works with any toy material.

Warm Up the G-Spot: The G-spot, located 2-3 inches inside the vagina on the vaginal wall closest to your belly button, is usually considered the driving force behind squirting. But a lot of people report uncomfortable or painful sensations if they jump to intense G-spot stimulation before properly warming up the area. Start with gentle stimulation – I’d recommend using a finger or two to gently massage the G-spot while you use a vibrator or your other hand on your clit – and gradually increase the pressure and intensity as you get more turned on. If you start to feel discomfort, dial it back and re-focus on things that definitely feel good (usually clitoral stimulation) until your G-spot feels ready for more. Like other genital erectile tissue, the G-spot tends to swell up with arousal, which can be a useful clue that you’re on the right track.

Stimulate Your Clit: I’ve mentioned this several times already and will continue to mention it. Why? Because the clit is the centre of sexual response for most people with vaginas. It’s the anatomical equivalent of the penis, and just as it would be unreasonable to expect the average cis man to reach peak arousal levels with zero dick contact, it’s unreasonable to expect a vulva-possessing person to get highly aroused without clit contact. (It’s not unheard of, certainly – it just shouldn’t be your default expectation, unless you already know that clit stimulation doesn’t do much for you.) I usually stimulate my clit for several minutes before even attempting penetration, either with my hand or with a vibrator, and then continue stimulating it all the way through to orgasm. I’ll recommend some clitoral vibes in the toys section below. (Side note: while most people squirt most readily from G-spot stimulation, as described below, there are some people who report squirting from clit stimulation alone.)

Firm, Fast, Sustained G-Spot Stimulation: This is the key ingredient in squirting for most of the people I’ve talked to about it. Once you’re already super aroused, use upturned fingers or a firm G-spot toy (recommendations in the toys section below) to thrust against your G-spot, applying steady pressure. You might find that you want to thrust faster and harder as time goes on. If you notice a feeling of “escalation” or “building toward” something, lean into that feeling, even though it might be scary or overwhelming at first. Ditto with a feeling of “needing to pee” – remember that you already emptied your bladder and laid down a towel (right?), so you can follow that feeling and see where it leads you instead of worrying about it.

Bear Down: Although you might be used to clenching your pelvic muscles en route to orgasm, it’s often easiest to squirt if you bear down with your muscles, like you’re trying to push out whatever’s inside you. This has the effect of pressing your G-spot more firmly against the toy/fingers/dick you’re using and helping the squirt come out. If it feels unintuitive to do this, just keep practicing and it’ll eventually get easier, especially as you learn to associate that pushing-out feeling with pleasure.

Consider Trying Post-Orgasm: I actually most often squirt after orgasm, when my clit is satiated but my G-spot usually still feels hungry for more. At that point I’ll thrust a dildo (or have a partner do so) super fast and hard against my G-spot until I feel the release of squirting, then take a little break to catch my breath and do it again, repeating as needed until I feel that I’ve “emptied out” my G-spot/urethral sponge. I think the deep relaxation that sets in post-orgasm can be helpful for squirting, and so can the heightened levels of physical arousal/engorgement.

Remember, the Goal is Pleasure: Squirting is cool, but it’s not a big deal if you can’t do it, or haven’t learned yet. Beating yourself up about not being able to squirt (or, worse: a partner criticizing you for not being able to squirt) is pointless, because the point of all of this is to feel good and have fun. If trying to make yourself squirt is lessening your fun and/or pleasure, let go of that imperative if you can, and re-focus on feeling good. You might squirt, or you might not, but either way, it’ll be time well-spent if you were focused on enjoying yourself. And, as with falling in love, you might just squirt for the first time when you’ve released all expectations of doing so.

 

Toys

G-Spot Dildos:

  • The Njoy Pure Wand is widely considered one of the best squirt-inducing toys on the market. It has an intense curve that helps it locate your G-spot easily, is made of ultra-firm stainless steel, and has two differently-sized ends so you can experiment to figure out whether your G-spot prefers broader pressure or more pinpointed sensations. Its shape also makes it relatively easy to use on oneself or to have a partner use on you. Just keep in mind that you may have to test out different motions to find your favorite: if standard in-and-out thrusting feels weird, try rocking it in a C-shape, pressing the ball rhythmically against your G-spot, or massaging the ball in a circular motion against that spot. (Note: do not try to buy a Pure Wand from Amazon, as there’s no guarantee you’ll get an authentic one; most Amazon toys claiming to be the Pure Wand are low-quality counterfeit copies. And certainly do not get the Le Wand knockoff of the Pure Wand, as it’s a plagiarized design that is, incomprehensibly, more expensive than the real thing.)
  • The NobEssence Seduction is another toy that can reliably make me squirt. It’s quite firm and deeply curved like the Pure Wand, but is a lot lighter because it’s made of wood, so I find it easier to thrust with. Since it’s handmade in small batches and is therefore often sold out, I’ll note that the Dee Lee Doo Habu is similar, and cheaper.
  • The Pipedream Icicles No. 70 has a very similar shape to the NobEssence Seduction, above, but is made of glass and is much less pricey.
  • The Lelo Ella has a broad, flat head that might feel better for you if slimmer implements (like fingers or small dildos) have felt too pokey or triggered too much of that “need-to-pee” sensation for you. It’s also gentler than the other toys on this list because it’s made of silicone (albeit pretty firm silicone) and its neck has a bit of flexibility to it.
  • If your budget is very limited, try this $26 glass dildo – it has an excellent G-spot curve and is easy to thrust, plus you can use the other end if you’re ever in the mood for less G-spot-focused stimulation. Another great option is the Sinclair Institute Crystal G, which has an even deeper curve and costs just $30.
  • If you’re a size queen/king/monarch, you’d probably dig the legendary Njoy Eleven, the first toy that ever made me squirt. Like the Pure Wand, it’s made of super-firm stainless steel, but it gets its squirt-inducing powers moreso from its massive girth than from a curve (though it does have a slight curve to it). Of course, since this dildo is huge and made of metal, it’s pretty heavy and can be hard to thrust, especially if you have hand strength issues like me – but my partner loves to pound me with it, and can reliably make me squirt that way.
  • Speaking of hand strength issues, if you lack the ability to thrust a dildo fast/hard/for a sustained amount of time, I’d recommend investing in a Fun Factory Stronic G. This thing is an auto-thrusting device that trembles against the G-spot rhythmically, and it can usually make me squirt even if I’m having such a bad chronic pain flare-up that I can’t physically hold a dildo.
  • The Lelo Mona 2 is technically a G-spot vibrator, not a dildo, but its shape is so fantastic for G-spot stimulation that it can make me squirt with or without the vibrations turned on. Some people find that vibrations on their G-spot make squirting easier to achieve; I think this is the best tool for the job if that’s the case for you.

Clitoral Toys:

  • If you already have a clit toy you love, there’s no need to buy a different one for the sake of learning to squirt. It’s all about what reliably turns you on and feels good for you. So pair your favorite clit vibe with one of the G-spot toys listed above, or another G-spot toy you enjoy, and give it a shot.
  • That being said, my all-time fave clitoral toy is the Eroscillator Top Deluxe. It oscillates instead of vibrating, so it doesn’t cause me as much numbness/desensitization as many other clit toys do, and its oscillations also seem to get deeper into my internal clitoris, which I think helps with squirting.
  • The We-Vibe Tango X has powerful, rumbly vibrations, and is small enough to be unobtrusive when paired with a G-spot dildo, so I think it’s a fantastic addition to any squirting sesh.
  • For a budget pick, I like the BMS Factory Essential Bullet. It’s a simple bullet vibe with an impressive motor for its $25 price tag.
  • Some people prefer the more subtle sensations of pressure-wave stimulation over vibration, especially when trying to focus moreso on G-spot pleasure. In this category, I love the We-Vibe MeltWomanizer Premium 2Lora DiCarlo Baci and Lelo Sila.

 

Fellow squirters, what toys, tips and techniques helped you most in learning to squirt?

Review: Upko Invisible Mouth Gag

Many people enjoy the power imbalance and sense of vulnerability that can be created when one partner wears a gag during a kink scene, whether it be a ballgag, a bit gag, or some other type. But a common issue with gags is that – of course – your mouth isn’t really useable or fuckable while there’s a big piece of silicone shoved into it.

Various makers of BDSM gear have attempted to address this with inventive open-mouth gag designs, and some kinksters even repurpose Jennings gags, which help dentists keep patients’ mouths wide open during oral surgeries. But a brand called Upko took an approach to this problem that I’ve never seen before, by selling an “invisible” gag that simultaneously prevents you from talking and keeps your mouth agape and useable. Let’s talk about it.

Image via Upko

What is this gag and how does it work?

The Upko Invisible Mouth Gag comes in two main pieces, which attach at the back of the head via a strap.

Each piece features a rounded-off silicone wedge that you’re meant to bite down on, so that the gag mostly stays in place due to the pressure of your teeth. As a result, the middle of your mouth is left wide open.

 

You’re welcome for these extremely attractive photos 😇

A note on drool

In my experience, all gags promote drooling. I think this is due to the combination of having a foreign object in your mouth and no longer having the ability to swallow your spit as much or as easily.

A lot of people get nervous about wearing gags because they’re embarrassed at the thought of drooling profusely. However, if your partner is into the idea of you wearing a gag, odds are good that they’re also into the idea of you drooling. A lot of the kinky pleasure of using gags is about the vulnerability they create in the wearer, which can (optionally) tie into kinks like humiliation and objectification. For many doms, it’s super hot to see their sub drooling uncontrollably with a gag in. If you’re not sure how your partner feels about drooling during sex/kink, ask them – you might be surprised at what they say!

For similar reasons, you probably don’t need to worry about looking weird/ugly while wearing a gag. Like, yes, it’s not the most flattering look by conventional beauty standards, but plenty of kinksters aren’t that interested in conventional beauty standards anyway, as evidenced by how many doms adore the appearance of smeared lipstick, ruined mascara, ripped tights, etc. during scenes. You’ll enjoy yourself more while wearing a gag if you can accept that looking pretty is not the point – or that maybe looking vulnerable and subby is looking pretty, in the eyes of your dom.

 

Things I like about this gag

  • While we’re talking about drool: I drool a lot with this gag in. I think the open-mouth design makes it much easier for drool to spill out, which my partner finds hot.
  • The gag is relatively comfortable during use, which I wasn’t expecting. I find it less invasive and unsettling to bite down on a gag with my teeth than to have it shoved far back on my tongue, which tends to make me gag in the not-fun way. It doesn’t hurt my teeth, either, because the silicone you’re biting into is very squishy.
  • With this gag in, my mouth is indeed open wide enough that I can get face-fucked or give oral sex, especially if I bite down on the gag with my very back teeth. I wasn’t able to continue a blowjob “to completion” with the gag in, though, because it eventually got uncomfortable and made me feel like I was gonna puke (which, to be fair, would probably happen with any gag), so I just took it out to finish the job.
  • I really like the idea of this gag, having never really seen a design quite like it. Since the effectiveness and comfort of a gag really depend on your specific mouth and what it can handle, it’s good that there are plenty of different gag styles out there for different people to experiment with. If ballgags and bit gags have been untenably uncomfortable for you, it’s possible that this style of gag would work better.
  • The back strap is adjustable, with 8 different tightnesses to choose from, so this gag should fit a broad range of head sizes and tightness preferences.
  • I like that the part that goes in your mouth is made of silicone. Rubber gags, which are still sadly pretty common, are porous, meaning that they hold onto any bacteria that gets into their pores and can never be fully cleaned. Obviously, this really isn’t ideal for something that goes into your mouth, especially since the bacteria build-up can also lead to weird tastes and smells. All of that is avoided when the gag is made of silicone, as this one is, because silicone is non-porous and you can wash it and/or sanitize it in the same ways you’d clean any other silicone sex toy (just make sure to separate the silicone parts from the leather parts first).
  • The aesthetic is classic and cute. Red, black, and gold is a color combo that reminds me (regrettably) of Christian Grey, but I have to admit it looks good and would match a lot of people’s bedroom decor and plenty of other bondage equipment.
  • This gag is small and slim compared to a traditional ballgag, so it might be better for tossing into a suitcase or purse for on-the-go kink play (and might not be as immediately recognizable as a gag to nosy relatives or TSA agents).
  • My only other association with biting down on a squishy-but-firm object that keeps my mouth open is being at the dentist, so I can see how this gag would work excellently for dentistry-related roleplays. (Horny dentist taking advantage of their innocent patient, anyone?)
  • It’s really, really easy for the person wearing the gag to just spit it out or let it fall out if they want to. This can be a good thing if you’re a beginner and/or nervous about using a gag, because you can un-gag yourself quickly and without assistance if you need to.

 

Things I don’t like about this gag

  • As mentioned above, it’s very easy for the wearer to spit the gag out or let it fall out at any time, which you might not appreciate if you’re into gagging that feels forced or inescapable. The gag also fell out accidentally a few times while I was testing it, which was annoying, as we had to pause the scene to put it back in, and would’ve had to go rinse it off if it had fallen on the floor.
  • For some unfathomable reason, the parts of the gag that you actually bite down on can be separated from the long pieces of silicone attaching them to the straps. This strikes me as a choking hazard, since – if you bit down hard enough and tugged on the gag straps at just the right angle – the parts could separate and then you’d have a big piece of silicone just… loose in your mouth. For that reason, this gag doesn’t feel super safe to me and I would be hesitant to use it during any kind of rough play.
  • When I gave my partner oral sex while this gag was in, they reported that it didn’t feel as good as usual because I couldn’t apply as much suction and my teeth were more in the way than they might normally be. The visual of my drooly gagged mouth made up for these deficits for them, though – and also, their dick is pretty girthy, so I think small-to-average penises would have an easier time fitting into the mouth of someone wearing this gag.
  • The instructions that come with the gag are minimal and poorly written. Since its design is unusual, I think clearer instruction is warranted. There’s also no safety info in the instructions, other than a warning that you should agree on a safe-signal (a non-verbal safeword) before you start. That’s good advice, but given that gags are risky to use and this one is especially so, it’s worrisome that there are no other safety warnings/tips in the instructions.
  • While Upko assures me that the straps are made of real Italian leather – and actually produced importation documents to prove it – the leather doesn’t feel as buttery-soft and high-quality as some of my nicer leather kink gear (for example, anything made by Aslan Leather). But it’s still nice that it’s actual leather.
  • I don’t think this product should cost $79.99, which is its current retail price on the Upko website. For comparison, a couple of other silicone gags I enjoy – the Zalo red rose one and the Unbound Bit – go for $65 and $39, respectively, and are better-constructed than this one. Personally I wouldn’t pay more than $40 for a gag like this.

 

Final thoughts

While the Upko Invisible Mouth Gag is beautiful and is certainly different from any other gag in my collection, I think it’s way too expensive and kind of a safety hazard. I’d only recommend it if you love its design and/or think it would be comfier for you than traditional gag styles. Or if you want to do a dentistry roleplay, in which case, open wide and say “aaah!”

 

This post was sponsored, meaning I was paid to write a fair and honest review of this product. As always, all writing and opinions are my own.